Joseph Haydn, René Jacobs, Freiburger Barockorchester, Dietrich Henschel's 'Der Frühling: "Schon eilet froh der Ackersmann"' came out on 2004. The duration of Der Frühling: "Schon eilet froh der Ackersmann" is about 3 minutes long, at 3:18. Based on our data, "Der Frühling: "Schon eilet froh der Ackersmann"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, René Jacobs, Freiburger Barockorchester's "Haydn: Die Jahreszeiten" album is number 4 out of 44. On top of that, France appears to be the country where this track was created. Based on our statistics, Der Frühling: "Schon eilet froh der Ackersmann"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Frühling: "Schon eilet froh der Ackersmann" by Joseph Haydn, René Jacobs, Freiburger Barockorchester, Dietrich Henschel to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento for Flute, Violin & Cello in C Major, Hob. IV:8: I. Allegro moderato | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM | ||
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
Paulus: I. Teil: Nr. 13 Rezitativ mit Chor TB "Und als er auf dem Wege war" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, La Chapelle Royale, Philippe Herreweghe, James Taylor | D Major | 0 | 10B | 170 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | F♯ Minor | 0 | 11A | 142 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, In Rosy Mantle Appears | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | G Major | 0 | 9B | 104 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 2: No. 12, Kavatine, "Und ob die Wolke sie verhülle" (Agathe) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 1 | 7B | 110 BPM | ||
Mass in C Major, Op. 86: Gloria: Gloria in excelsis Deo | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A♭ Major | 1 | 4B | 124 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |