"Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe" by Gioachino Rossini, Marcus Creed, RIAS Kammerchor was released on 2001. With Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #2. Based on our statistics, Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe by Gioachino Rossini, Marcus Creed, RIAS Kammerchor having a テンポ of 149 with a half-time of 74 テンポ and a double-time of 298 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zefiro torna | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | G Major | 1 | 9B | 131 BPM | ||
La pietra del paragone (The Touchstone): Act I: Cavatina: Se di certo io non sapessi (Conte) | Gioachino Rossini, Agata Bienkowska, Anna Rita Gemmabella, Anke Herrmann, Raffaele Constantini, Alessandro Codeluppi, Dariusz Machej, Gioacchino Zarrelli, Teru Yoshihara, Alessandro De Marchi, Czech Chamber Choir, Czech Chamber Soloists, Brno | D Major | 2 | 10B | 97 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM |