"Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling" by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin was released on 1997. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "R. Strauss: Four Last Songs". In this album, this song's track order is #1. Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht | Gustav Mahler, Dietrich Fischer-Dieskau, Bavarian Radio Symphony Orchestra, Rafael Kubelík | C Minor | 2 | 5A | 89 BPM | ||
Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Elektra, Op. 58: "Wo bleibt Elektra?" | Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova | G Major | 2 | 9B | 78 BPM | ||
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Le Bourgeois Gentilhomme Suite, Op. 60b, TrV 228c: IV. Entry and Dance of the Tailors | Richard Strauss, Richard Armstrong, Scottish Chamber Orchestra, Bradley Creswick, David Watkin, Catriona Beveridge | D♭ Major | 2 | 3B | 75 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Schubert: 4 Lieder, Op. 106: No. 4, An Sylvia, D. 891 | Franz Schubert, Elisabeth Schwarzkopf, Edwin Fischer | D Major | 1 | 10B | 121 BPM |