Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler's 'Elektra: Xii. Was sagen sie ihr denn?' came out on March 3, 2023. The duration of Elektra: Xii. Was sagen sie ihr denn? is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Elektra: Xii. Was sagen sie ihr denn?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Richard Strauss: Elektra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Elektra: Xii. Was sagen sie ihr denn?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra: Xii. Was sagen sie ihr denn? by Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Kapitel 6 - Das Märchen der 672. Nacht | Hugo von Hofmannsthal, Andreas Rüdiger | F♯ Major | 3 | 2B | 85 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Strauss: Der Rosenkavalier, Op. 59, TrV 227, Act 3: "Marie Theres'! … Hab mir's gelobt" (Octavian, Marschallin, Sophie) | Hugo von Hofmannsthal, Richard Strauss, Leonie Rysanek, Wilhelm Schüchter, Berliner Philharmoniker | D♭ Major | 3 | 3B | 90 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM |