Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote's 'Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto)' came out on April 19, 2024. The duration of Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 22 in Britten: Spring Symphony, Sinfonia da Requiem, The Young Person's Guide to the Orchestra by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Bavarian Radio Chorus | B♭ Major | 1 | 6B | 88 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: My work is done | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
Messa di Gloria: IV. Gratias | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | B Minor | 6 | 10A | 83 BPM | ||
Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | A♭ Major | 2 | 4B | 98 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Messa da Requiem: III. Dies irae. Tuba mirum (Chorus) | Giuseppe Verdi, Richard Hickox, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM |