"Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana)" by Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra was released on 1990. The duration of Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) is about 3 minutes long, at 3:21. Based on our data, "Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung's "Italian Opera Arias" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) by Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Lucia di Lammermoor / Act 3: "Tombe degli avi miei" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 111 BPM | ||
I Puritani / Act 2: Il rival salvar tu dei | Vincenzo Bellini, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 83 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La Gioconda / Act 2: Cielo e mar! | Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 2 | 5B | 175 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Pagliacci: Recitar!...Vesti la giubba (Act I) | Ruggero Leoncavallo, Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM | ||
Exsultate, jubilate, K.165: 4. Alleluia | Wolfgang Amadeus Mozart, Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 134 BPM |