On January 1, 1976, the song "Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante"" was released by Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti. Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 11 out of 13 in Bizet: Carmen - Highlights by Georges Bizet, Tatiana Troyanos, Plácido Domingo, Kiri Te Kanawa, José van Dam, Norma Burrowes, Jane Berbié, John Alldis Choir, John Alldis, London Philharmonic Orchestra, Sir Georg Solti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" by Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! | Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 98 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
Turandot / Act 3: Principessa divina! | Giacomo Puccini, Tom Krause, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 175 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 4: Scène 15. Romance. "D'amour l'ardente flamme" | Hector Berlioz, Frederica von Stade, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 0 | 7B | 108 BPM |