Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris"
- テンポ
- 69
- キー
- F♯ Major
- キャメロットミュージックキー
- 2B
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" - Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli 情報
- 音響性
- 99%
- ダンサビリティ
- 23%
- エネルギー
- 1%
- 手段性
- 93%
- 活気
- 9%
- ラウドネス
- 44%
- 話し言葉
- 4%
- 価数
- 5%
- 人気
- 9%
- ラウドネス
- -33.715 dB
まとめ
"Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris"" by Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli was released on January 1, 2001. Since Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Dvorák: Stabat mater, Op.58 by Antonín Dvořák, Staatskapelle Dresden, Giuseppe Sinopoli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" テンポ
The tempo marking of Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" by Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" キー
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | |
 | Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | |
 | Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
- ISRC
- DEN960000463
- レコードレーベル
- L-M Records/RCA Records