"Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus..." by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Franz-Joseph Selig, Ian Bostridge was released on 1999. The duration of Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus... is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 9 out of 68. Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus... is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus... by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Franz-Joseph Selig, Ian Bostridge to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Johannes-Passion, BWV 245, Pt. 1: No. 4, Recitative: Auf dass das Wort erfüllet würde | Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken, Christoph Genz, Jens Hamann | D♭ Major | 1 | 3B | 93 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Minor | 2 | 5A | 111 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: VII. Judicabit in nationibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 1 | 4B | 108 BPM | ||
Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" | Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment | D♭ Major | 4 | 3B | 117 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: IX. The airy Violin | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Robin Blaze | D♭ Major | 1 | 3B | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM |