Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment made "Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!"" available on February 28, 1992. The duration of Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 22 in Bach: Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach, Philippe Herreweghe, Orchestra of the Age of Enlightenment. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bach, CPE: Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 5, Chor. "Triumph! Des Herrn Gesalbter sieget!" by Carl Philipp Emanuel Bach, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of the Age of Enlightenment is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Sonata for Flute Violoncello in E Minor, Wq. 124: II. Allegro | Carl Philipp Emanuel Bach, Václav Kunt | C Major | 0 | 8B | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM |