Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg's 'Symphony No. 1 in G Minor: I. Allegro' came out on November 3, 2017. Symphony No. 1 in G Minor: I. Allegro is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Christoph Konig, Soloists Européens Luxembourg's "Méhul: Symphony No. 1 - Beethoven: Symphony No. 3 "Eroica"" album is number 1 out of 8. In terms of popularity, Symphony No. 1 in G Minor: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in G Minor: I. Allegro by Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E Major | 0 | 12B | 78 BPM | ||
Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus] | Étienne Nicolas Méhul, William Christie, Corona Coloniensis | C Minor | 0 | 5A | 99 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Uthal, Scène 4 & 5: Dialogue "Larmor !" | Étienne Nicolas Méhul, Karine Deshayes, Yann Beuron, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 147 BPM | ||
1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |