"Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her" by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore was released on January 1, 1970. Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 234 in the song's album "Schubert: Lieder (Vol. 1)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Wanderer, Op. 4 No. 1, D. 493: Ich komme vom Gebirge her by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Ich hörte Harfenschlag" | Richard Wagner, Wolfgang Windgassen, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Otto Gerdes | E♭ Major | 3 | 5B | 86 BPM | ||
Mörike-Lieder: 12. "Verborgenheit" | Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim | C Major | 0 | 8B | 131 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
The Mountain Thrall, Op. 32 | Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier | A♭ Major | 1 | 4B | 72 BPM | ||
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Tannhäuser, WWV 70 / Act 2: "O Walther, der du also sangest...Heraus zum Kampfe mit uns allen!...O Himmel, laß dich jetzt erflehen" | Richard Wagner, Wolfgang Windgassen, Klaus Hirte, Theo Adam, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Otto Gerdes | E♭ Major | 3 | 5B | 86 BPM | ||
Winterreise, D. 911: No. 5, Der Lindenbaum | Franz Schubert, Thomas Quasthoff | D Major | 0 | 10B | 90 BPM |