"Mörike-Lieder: 12. "Verborgenheit"" by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim was released on January 1, 1995. The duration of Mörike-Lieder: 12. "Verborgenheit" is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mörike-Lieder: 12. "Verborgenheit"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim. The song's track number on the album is #10 out of 152 tracks. Based on our statistics, Mörike-Lieder: 12. "Verborgenheit"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mörike-Lieder: 12. "Verborgenheit" by Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Mörike-Lieder: 12. "Verborgenheit" being at 131 テンポ, the half-time would be 66 テンポ with a double-time of 262 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
Fleur desséchée | Pauline Viardot, Hélène Guilmette, Martin Dubé | E Major | 0 | 12B | 142 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano | F♯ Major | 0 | 2B | 113 BPM | ||
Mühvoll komm' ich und beladen (Don Manuel de Rio trans Geibel) from Spanisches Liederbuch | Hugo Wolf, Anne Sofie von Otter | D♭ Major | 5 | 3B | 98 BPM | ||
Mozart: Das Traumbild, K. 530 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM |