"Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine" by Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano was released on January 21, 2024. The duration of Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine is about 3 minutes long, at 3:04. Based on our data, "Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 47 in Debussy: Clair de lune and Other Masterpieces by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine by Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mailblumen blühten überall | Alexander von Zemlinsky, Susan Narucki, Schoenberg Quartet, Jan Erik van Regteren Altena, Taco Kooistra | G Minor | 1 | 6A | 72 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Requiem, Op. 89 B. 165: Graduale: Requiem aeternam (Soprano, Chorus) | Antonín Dvořák, Christiane Libor, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | G Minor | 2 | 6A | 176 BPM | ||
Gurre-Lieder / Part 1: 3. "O, wenn des Mondes Strahlen" | Arnold Schoenberg, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 1 | 3B | 86 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Pelléas et Mélisande, L. 88 / Act II: Interlude (II) | Claude Debussy, Wiener Philharmoniker, Claudio Abbado | B Minor | 2 | 10A | 152 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM |