Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa's 'Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio' came out on January 1, 1987. Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 1 out of 14 in Faure: Pelléas et Mélisande by Gabriel Fauré, Lorraine Hunt, Jules Eskin, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |