"Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus]" by Étienne Nicolas Méhul, William Christie, Corona Coloniensis was released on 1996. The duration of Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus] is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Étienne Nicolas Méhul, William Christie, Corona Coloniensis's "Méhul : Stratonice" album is number 7 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus] is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Méhul : Stratonice : "Mon cher Antiochus" [Séleucus, Antiochus] by Étienne Nicolas Méhul, William Christie, Corona Coloniensis to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental festival march | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | A Minor | 4 | 8A | 100 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 83 BPM | ||
L'irato, ou L'emporte: Overture | Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt | A Major | 0 | 11B | 77 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) | George Frideric Handel, Igor Kipnis | B♭ Minor | 3 | 3A | 78 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM |