Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek made "Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso" available on August 2, 2001. With Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Rimsky-Korsakov: Capriccio Espagnol, Scheherazade". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Czechia. Based on our statistics, Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Vladimir Horowitz | A Minor | 1 | 8A | 95 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | C Major | 4 | 8B | 91 BPM |