Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Vladimir Horowitz made "Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov)" available on March 1, 2010. With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Piano Masters: Vladimir Horowitz (1930-1947)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. S. Rachmaninov) by Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Vladimir Horowitz having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Gnoissienne No 3 | Francis Poulenc | A Minor | 1 | 8A | 132 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
11 Pezzi infantili, Op. 35: VI. Siciliana | Alfredo Casella, Luca Ballerini | A Minor | 0 | 8A | 107 BPM | ||
Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Hymn of Echoes | Anders Hillborg, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 1 | 8B | 146 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM |