"Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus" by Olivier Messiaen, Robert Plane, Gould Piano Trio was released on July 1, 2008. Since Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Robert Plane, Gould Piano Trio's "Messiaen: Chamber Works" album is number 12 out of 15. Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus by Olivier Messiaen, Robert Plane, Gould Piano Trio to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 3, "Mishima": I. 1957: Award Montage | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 120 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
A Little Midnight Music: VII. Blues in the Night | George Crumb, Emanuele Arciuli | F♯ Major | 0 | 2B | 68 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
String Quartet No. 2, "Company": III. — | Philip Glass, Carducci String Quartet | E Minor | 0 | 9A | 144 BPM |