"Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. The duration of Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 5 - Allegro | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 113 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 83 BPM | ||
Betrayal & Desolation | James Horner, London Symphony Orchestra | G Major | 1 | 9B | 84 BPM | ||
Waltz from Faust | London Symphony Orchestra | E Major | 1 | 12B | 70 BPM |