Wolfgang Amadeus Mozart, Fernando Corena, Kurt Böhme, Suzanne Danco, Cesare Siepi, Anton Dermota, Wiener Philharmoniker, Josef Krips's 'Don Giovanni / Act 1: "Notte e giorno faticar"' came out on January 1, 1955. Don Giovanni / Act 1: "Notte e giorno faticar" is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Suzanne Danco, Lisa della Casa, Hilde Gueden, Anton Dermota, Walter Berry, Cesare Siepi, Fernando Corena, Vienna State Opera Chorus, Wiener Philharmoniker, Josef Krips's "Mozart: Don Giovanni" album is number 2 out of 41. In terms of popularity, Don Giovanni / Act 1: "Notte e giorno faticar" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Giovanni / Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Fernando Corena, Kurt Böhme, Suzanne Danco, Cesare Siepi, Anton Dermota, Wiener Philharmoniker, Josef Krips to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch | C Major | 1 | 8B | 76 BPM | ||
Helenen-Quadrille, Op. 14 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | F Major | 2 | 7B | 88 BPM | ||
La Cenerentola / Act 1: "Zitto, zitto: piano, piano" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 1 | 11B | 78 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Meeresstille und glückliche Fahrt, Op.112: Meeresstille: Poco sostenuto | Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Walter Hagen-Groll | D Major | 0 | 10B | 66 BPM | ||
Il barbiere di Siviglia / Act 1: No.4 Duetto: "All'idea di quel metallo" | Gioachino Rossini, Manuel Ausensi, Ugo Benelli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 71 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Wolfgang Amadeus Mozart, Bernard Haitink, Claudio Desderi, London Philharmonic Orchestra | E Major | 3 | 12B | 125 BPM | ||
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM |