"Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt" by Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch was released on 1960. Since Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde, WWV 90 – Excerpt (Hans Knappertsbusch - The Opera Edition: Volume 2) by Richard Wagner, Birgit Nilsson, Grace Hoffman, Wiener Philharmoniker, Hans Knappertsbusch. The song's track number on the album is #2 out of 3 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt by Richard Wagner, Birgit Nilsson, Wiener Philharmoniker, Hans Knappertsbusch has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tristan und Isolde, WWV 90 / Act 3: Mild und leise wie er lächelt being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Rigoletto: Overture (Preludio) | Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge | C Major | 0 | 8B | 72 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Boris Godunov: Coronation Scene | Modest Mussorgsky, Nicolai Ghiaurov, Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev, Emil Chakarov | G Major | 3 | 9B | 89 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (f) Etwas bewegter (Alto, Soprano, Chorus) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 145 BPM | ||
Don Giovanni: Atto Secundo, Scena 15: "Don Giovanni, a cenar teco" | Wolfgang Amadeus Mozart, Alessandro Guerzoni, Freiburger Barockorchester, Johannes Weisser, Lorenzo Regazzo, RIAS Kammerchor, René Jacobs | B♭ Major | 4 | 6B | 101 BPM | ||
Der fliegende Holländer, WWV 63: Overture | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 93 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 68 BPM |