"Rigoletto: Overture (Preludio)" by Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge was released on January 1, 1971. The duration of Rigoletto: Overture (Preludio) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Rigoletto: Overture (Preludio)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge. The song's track number on the album is #1 out of 29 tracks. Rigoletto: Overture (Preludio) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto: Overture (Preludio) by Giuseppe Verdi, London Symphony Orchestra, Richard Bonynge has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Rigoletto: Overture (Preludio) being at 72 テンポ, the half-time would be 36 テンポ with a double-time of 144 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Aida: Overture | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | D Major | 0 | 10B | 83 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Semiramide: Overture | Gioachino Rossini, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 142 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Joshua - For Chorus, Contralto, Bass and Orchestra - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | C Major | 0 | 8B | 107 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM |