"Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction" by Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine was released on January 1, 1988. The duration of Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction by Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
The Snow Maiden, Op. 12: II. Dance And Chorus Of Birds | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 1 | 8B | 127 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM |