Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra's 'Requiem: XIII. Sanctus' came out on August 24, 2009. The duration of Requiem: XIII. Sanctus is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Requiem: XIII. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #13 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Requiem: XIII. Sanctus is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: XIII. Sanctus by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Requiem: XIII. Sanctus being at 117 テンポ, the half-time would be 58 テンポ with a double-time of 234 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 170 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 11, Scene. Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 68 BPM | ||
War Requiem, Op. 66: xxi. Agnus Dei - "One ever hangs where shelled roads part" Agnus Dei | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, London Symphony Orchestra | G Major | 0 | 9B | 100 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Petruskha, K012 (Revised 1947), Scene 3: III. Waltz (The Ballerina and the Moor) | Igor Stravinsky, Sir Simon Rattle, London Symphony Orchestra | D Minor | 3 | 7A | 123 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Eine Alpensinfonie: VII. Vision - Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie | Richard Strauss, Bernard Haitink, London Symphony Orchestra | D♭ Minor | 0 | 12A | 140 BPM | ||
Macbeth / Act IV: Mal per me m'affidai ne' presagi dell'inferno! | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 0 | 7B | 80 BPM |