Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir"
- テンポ
- 131
- キー
- G Major
- キャメロットミュージックキー
- 9B
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" - Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn 情報
- 音響性
- 97%
- ダンサビリティ
- 41%
- エネルギー
- 11%
- 手段性
- 0%
- 活気
- 53%
- ラウドネス
- 68%
- 話し言葉
- 7%
- 価数
- 22%
- 人気
- 10%
- ラウドネス
- -19.412 dB
まとめ
Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn's 'Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir"' had a release date set for January 1, 1990. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Strauss, J.: Die Fledermaus". In this album, this song's track order is #10. Based on our statistics, Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" テンポ
With Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" by Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" キー
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | |
 | Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | |
 | Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | |
 | Symphony No.10 in F sharp (unfinished) - Ed. Deryck Cooke: 3. Purgatorio | Gustav Mahler, Wiener Philharmoniker, Daniel Harding | B♭ Major | 0 | 6B | 72 BPM | |
 | Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM | |
 | Die Fledermaus / Act 2: "Genug damit, genug" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Karin Gottling-Poltner, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 3 | 9B | 64 BPM | |
 | Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | |
 | Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | B♭ Major | 1 | 6B | 70 BPM | |
 | Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | |
 | Die Libelle, Op. 204 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records