"Lohengrin: Bridal Chorus" by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner was released on February 28, 1997. With this song being about 5 minutes long, at 4:48, "Lohengrin: Bridal Chorus" by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Maria von Weber's "German Operatic Choruses" album is number 1 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Lohengrin: Bridal Chorus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lohengrin: Bridal Chorus by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | C Minor | 2 | 5A | 70 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Adagio | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | E Major | 1 | 12B | 130 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) | フォルツハイム・モテット合唱団, 南西ドイツ室内管弦楽団, ロルフ・シュヴァイツァー | F♯ Minor | 1 | 11A | 166 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM |