"教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より)" by フォルツハイム・モテット合唱団, 南西ドイツ室内管弦楽団, ロルフ・シュヴァイツァー was released on September 28, 2022. The duration of 教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画の中のクラシック モーツァルトの映画館, so we believe that "教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より)" is a single. The popularity of 教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 教会音楽「モテット」/アヴェ・ヴェルム・コルプス K 618(『ロレンツォのオイル/命の詩』より) by フォルツハイム・モテット合唱団, 南西ドイツ室内管弦楽団, ロルフ・シュヴァイツァー is Vivace (lively and fast), since this song has a tempo of 166 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude No. 6, H-Moll, op. 28 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Major | 0 | 9B | 98 BPM | ||
Suite N2. Cancion De Solveig | Orquesta Sinfónica De Radio Hamburgo | E Minor | 0 | 9A | 65 BPM | ||
Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | ||
Kinderszenen, Op.15: 7. Träumerei | Robert Schumann, Claudio Arrau | F Major | 0 | 7B | 107 BPM | ||
Mozart: Concerto for Clarinet and Orchestra in A Major - Adagio | CHA Medical Center | D Major | 0 | 10B | 81 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. for flute and harp) | Anonymous, Gabriel Fauré, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 120 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: Larghetto | Frédéric Chopin, Dmitri Kitayenko, Aleksandar Madzar, Radio-Sinfonie-Orchester Frankfurt | E Minor | 1 | 9A | 81 BPM | ||
The Magic Flute, K. 620: Act II, No. 15. Aria: "In diesen heli'gen Hallen kennt man die Rache nicht" | Rundfunkorchester des Südwestfunks Baden-Baden | E Major | 1 | 12B | 94 BPM |