"Piano Concerto No. 2 in F Minor, Op. 21: Larghetto" by Frédéric Chopin, Dmitri Kitayenko, Aleksandar Madzar, Radio-Sinfonie-Orchester Frankfurt was released on July 16, 1997. Since Piano Concerto No. 2 in F Minor, Op. 21: Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Chopin: Piano Concertos 1 & 2 by Frédéric Chopin, Aleksandar Madzar. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Concerto No. 2 in F Minor, Op. 21: Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 in F Minor, Op. 21: Larghetto by Frédéric Chopin, Dmitri Kitayenko, Aleksandar Madzar, Radio-Sinfonie-Orchester Frankfurt is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Violin Sonata No. 1 in D Minor, Op. 75: IV. Allegro molto | Camille Saint-Saëns, Joshua Bell, Jeremy Denk | D Major | 2 | 10B | 88 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | ||
Chopin: Nocturne No. 19 in E Minor, Op. Posth. 72 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | E Minor | 0 | 9A | 91 BPM | ||
Elgar: Romance for Bassoon in D Minor, Op. 62 (Arr. for Cello and Orchestra) | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | E Minor | 0 | 9A | 71 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
Etude in F Major, Op. 72, No. 6 | Moritz Moszkowski, Vladimir Horowitz | F Major | 0 | 7B | 133 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess) | Maurice Ravel, Erich Appel, Oliver Colbentson | E Minor | 0 | 9A | 99 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM |