"Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1995. The duration of Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Debussy: Children's Corner; La boîte à joujoux; Printemps; La plus que lente by Claude Debussy, Charles Dutoit, Orchestre Symphonique de Montréal. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Piano Sonata in E minor, Op.7: 2. Andante molto | Edvard Grieg, Mikhail Pletnev | C Major | 0 | 8B | 70 BPM | ||
Le Carnaval des Animaux, R.125: 2. Poules et Coqs | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 1 | 7B | 136 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 87 BPM |