"Suite Oriental (Suite Árabe): II. Serenata" by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González was released on September 9, 2016. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González's "Granados: Liliana, Suite Oriental & Elisenda" album is number 6 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Suite Oriental (Suite Árabe): II. Serenata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite Oriental (Suite Árabe): II. Serenata by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liliana (Arr. P. Casals): II. Liliana y los gnomos | Enrique Granados, Barcelona Symphony Orchestra, Pablo González | A Major | 3 | 11B | 109 BPM | ||
String Quartet in E-Flat Major: II. Allegretto - Scherzo | Fanny Mendelssohn, Asasello Quartett | C Major | 2 | 8B | 154 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): II. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 66 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Symphony No.3 In E Flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Philharmonia Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 110 BPM | ||
Piano Concerto in G Major, M. 83: I. Allegramente | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D Major | 1 | 10B | 95 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM |