"La mer, L. 109: II. Jeux de vagues" by Claude Debussy, Orchestre National De Lyon, Jun Markl was released on May 27, 2008. Since La mer, L. 109: II. Jeux de vagues is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Debussy: Orchestral Works, Vol. 1 by Claude Debussy, Jun Markl. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. La mer, L. 109: II. Jeux de vagues is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La mer, L. 109: II. Jeux de vagues by Claude Debussy, Orchestre National De Lyon, Jun Markl is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Fantasy on Polish Airs, Op. 13: Largo non troppo | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | A Major | 0 | 11B | 81 BPM | ||
Valse-Scherzo, Op. 34, TH 58 (Arr. Bezekirsky) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | C Major | 2 | 8B | 106 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Preludes, L. 123, Book II: II. Feuilles mortes | Claude Debussy, Francesco Piemontesi | D♭ Major | 0 | 3B | 68 BPM |