La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)
- テンポ
- 82
- キー
- G Major
- キャメロットミュージックキー
- 9B
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) - Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult 情報
- 音響性
- 87%
- ダンサビリティ
- 16%
- エネルギー
- 9%
- 手段性
- 38%
- 活気
- 12%
- ラウドネス
- 56%
- 話し言葉
- 4%
- 価数
- 4%
- 人気
- 12%
- ラウドネス
- -26.139 dB
まとめ
"La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)" by Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult was released on May 10, 2019. With this song being about 5 minutes long, at 5:02, "La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)" by Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 22 in Clair de Lune - Orchestral Favourites; Waldteufel - Waltzes by Raymond Agoult, The New Symphony Orchestra Of London, Douglas Gamley, National Philharmonic Orchestra. La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) テンポ
The tempo marking of La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) by Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) キー
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | |
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 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | |
 | Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | |
 | 14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records