"Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano)" by Germaine Tailleferre, Eric Le Sage was released on September 9, 2022. With Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) by Germaine Tailleferre, Eric Le Sage is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Andante spianato | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 168 BPM | ||
Romance, Op. 36, R. 195 | Camille Saint-Saëns, Jean Françaix, Bruno Schneider, Eric Le Sage | F Major | 0 | 7B | 69 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | A♭ Major | 0 | 4B | 63 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: V. Menuet | Maurice Ravel, Bertrand Chamayou | G Major | 0 | 9B | 107 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |