Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich's 'Cello Concerto No.1, Op.107: 1. Allegretto' came out on January 1, 1985. Cello Concerto No.1, Op.107: 1. Allegretto is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Shostakovich: Cello Concertos Nos.1 & 2". In this album, this song's track order is #1. Based on our statistics, Cello Concerto No.1, Op.107: 1. Allegretto's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cello Concerto No.1, Op.107: 1. Allegretto by Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio | Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Minor | 4 | 3A | 0 BPM | ||
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": II. Adagio. Vivace | Leoš Janáček, Melos Quartet | D♭ Major | 2 | 3B | 78 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 145 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Torleif Thedéen, Hannover Radio Philharmonic Orchestra, Eiji Oue | C Major | 1 | 8B | 139 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |