"Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio" by Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 19, 1997. Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Violin Concertos Nos. 1 and 2". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 in C-Sharp Minor, Op. 129: II. Adagio by Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit having a テンポ of 0 with a half-time of 0 テンポ and a double-time of 0 テンポ, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: I. Allegro moderato | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Minor | 2 | 5A | 142 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Images: No. 3. Rondes de printemps | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 134 BPM | ||
Concerto for 2 Pianos, FP 61: I. Allegro ma non troppo | Francis Poulenc, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 70 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 6. Quasi ad libitum | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | C Major | 1 | 8B | 106 BPM | ||
Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 3 | 10B | 94 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Noviy Vavilon (New Babylon), Op. 18 (original manuscript version): Reel 1, General Sale: War - Death to the Prussians | Dmitri Shostakovich, Basel Sinfonietta, Mark Fitz-Gerald | D Minor | 1 | 7A | 159 BPM | ||
Cello Concerto in E Minor: II. Andante sostenuto | Aram Khachaturian, Dmitry Yablonsky, The Moscow City Symphony Orchestra "Russian Philharmonic", Maxim Fedotov | G Major | 1 | 9B | 96 BPM |