"Pelléas et Mélisande, Op. 80: II. La Fileuse" by Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra was released on 1991. The duration of Pelléas et Mélisande, Op. 80: II. La Fileuse is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Pelléas et Mélisande, Op. 80: II. La Fileuse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schoenberg & Sibelius & Fauré: Pelléas et Mélisandre". In this album, this song's track order is #19. Pelléas et Mélisande, Op. 80: II. La Fileuse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande, Op. 80: II. La Fileuse by Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: IV. Finale: Andante - Vivace | Alexander Borodin, Budapest Haydn Quartet | D Major | 2 | 10B | 120 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E Minor | 0 | 9A | 63 BPM | ||
5 Lieder, Op. 107: No. 5, Mädchenlied (Arr. M. Frost) | Johannes Brahms, Martin Fröst, Roland Pöntinen | A Minor | 0 | 8A | 74 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Images: No. 3. Rondes de printemps | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 134 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro (Live) | Dmitri Shostakovich, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Minor | 3 | 7A | 115 BPM |