Alexander Scriabin, Maria Lettberg's '7 Preludes, Op. 17: No. 3 in D-Flat Major' came out on August 1, 2010. The duration of 7 Preludes, Op. 17: No. 3 in D-Flat Major is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 7 Preludes, Op. 17: No. 3 in D-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 207 in the song's album "Scriabin: The Solo Piano Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, 7 Preludes, Op. 17: No. 3 in D-Flat Major is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 7 Preludes, Op. 17: No. 3 in D-Flat Major by Alexander Scriabin, Maria Lettberg having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
6 Romances sans paroles, Op. 76: No. 1. Souvenance | Cécile Chaminade, Cindy Lin | E Minor | 1 | 9A | 65 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Études-Tableaux, Op. 39: II. Lento assai | Sergei Rachmaninoff, Sergei Babayan | D Minor | 0 | 7A | 69 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |