"Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!"" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber was released on January 1, 1976. With this song being about 5 minutes long, at 5:21, "Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!"" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #13. In terms of popularity, Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96: Das schöne Fest, Johannistag | Richard Wagner, Gottlob Frick, Horst Wilhelm, Ferdinand Frantz, Gustav Neidlinger, Benno Kusche, Chor der Deutschen Oper Berlin, Chor der Deutschen Staatsoper Berlin, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker, Rudolf Kempe | F Major | 4 | 7B | 145 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2 Scene 30: "Nur stille! stille! stille!" (Monostatos, Königin, Drei Damen) | Wolfgang Amadeus Mozart, Lucia Popp, Otto Klemperer, Philharmonia Orchestra | D Major | 3 | 10B | 81 BPM | ||
Gasparone, 1. Akt: Hell erklingt das Tambourin - Gräfin laßt Euch erzählen! | Günter Wewel, Heinz Wallberg, Anneliese Rothenberger, Hermann Prey, Munich Radio Orchestra, Gabriele Fuchs, Martin Finke, Chor der Bayerischen Staatsoper München, Willi Brokmeier, Franz Strauch, Karl Prapotnik, Dieter Miserre | A Major | 2 | 11B | 102 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 0 | 8B | 76 BPM | ||
Wiener Blut (Viennese Spirit): Grüss dich Gott | Johann Strauss II, Victor Léon, Leo Stein, Yvonne Kenny, Richard Bonynge, Melbourne Symphony Orchestra | D Major | 1 | 10B | 96 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Puccini: Tosca, Act 3 Scene 3: "Amaro sol per te m'era il morire" (Cavaradossi, Tosca) | Giacomo Puccini, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Strauss, J. II: Der Zigeunerbaron, Act 2: "Auf, auf, auf! Vorbei ist die Nacht" - "Ja, das Eisen wird gefüge" (Czipra, Chor) | Johann Strauss II, Franz Allers, Biserka Cvejic, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra | B♭ Major | 5 | 6B | 117 BPM | ||
Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM |