"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie" by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse was released on 1995. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 28 in Carmina Burana by Carl Orff. Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) | Gioachino Rossini, Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel | B♭ Major | 4 | 6B | 141 BPM | ||
Puccini: Madama Butterfly, Act 1: "Gran ventura" (Butterfly, Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Coro dell'Accademia Nazionale Di Santa Cecilia, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 67 BPM | ||
Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" | Richard Wagner, Margaret Price, René Kollo, Staatskapelle Dresden, Carlos Kleiber | F♯ Minor | 1 | 11A | 172 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Nur stille, stille" - "Die Strahlen der Sonne" | Wolfgang Amadeus Mozart, Kurt Azesberger, Erika Miklósa, Caroline Stein, Heidi Zehnder, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner, Anne-Caroline Schlüter, René Pape | E♭ Major | 2 | 5B | 83 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM |