Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González made "L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet" available on October 13, 2017. The duration of L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. In terms of popularity, L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | ||
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile | Wolfgang Amadeus Mozart, Kammerakademie Potsdam, Antonello Manacorda | F Major | 0 | 7B | 78 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 2, Fairies' March | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | E Minor | 0 | 9A | 145 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM |