"Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante" by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González was released on October 13, 2017. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | ||
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Concierto in A Minor: I. Allegro | Orquesta Sinfónica de Barcelona, Rafael Ferrer, Manuel Cubedo | F Major | 3 | 7B | 103 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |