"La Cenerentola / Act 1: "Zitto, zitto: piano, piano"" by Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. La Cenerentola / Act 1: "Zitto, zitto: piano, piano"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola / Act 1: "Zitto, zitto: piano, piano" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola / Act 1: "Zitto, zitto: piano, piano" by Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La canzone dell'amore | Cesare Andrea Bixio, Luciano Pavarotti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Minor | 3 | 3A | 76 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
La Dame blanche: "A quel plaisir d’être soldat " | François-Adrien Boieldieu, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | C Major | 3 | 8B | 84 BPM | ||
Volare | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | E Minor | 2 | 9A | 97 BPM | ||
Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Il Turco in Italia / Act 1: "Ho da far un dramma buffo" | Gioachino Rossini, Roberto de Candia, Coro Del Teatro Alla Scala Di Milano, Laura Polverelli, Francesco Piccoli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
La scala di seta: II. Introduzione | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM | ||
Malinconia d'amore | Giovanni D'Anzi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | E Minor | 2 | 9A | 81 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM |