"Te Deum, WAB 45: 1. Te Deum laudamus" by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll was released on January 1, 1999. Te Deum, WAB 45: 1. Te Deum laudamus is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 1 out of 16 in Bruckner: Te Deum; Motetten; 150. Psalm by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Richard Holm, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Bavarian Radio Chorus, Wolfgang Meyer, Hedwig Bilgram. Based on our statistics, Te Deum, WAB 45: 1. Te Deum laudamus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, WAB 45: 1. Te Deum laudamus by Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
Symphonic Fantasy For Orchestra On A Theme By Girolamo Frescobaldi, Op.20: 4. Sehr lebhaft | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 3 | 8A | 122 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Aequale, WAB 149 | Anton Bruckner, Munich Radio Orchestra, Peter Dijkstra | A♭ Major | 0 | 4B | 68 BPM | ||
German Requiem, Op. 45: Herr, lehre doch mich | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Requiem: IIa. Dies irae | Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 40 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz | Carl Orff, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM |