German Requiem, Op. 45: Herr, lehre doch mich

Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus
Brahms: German Requiem, Op. 45
8:16 2014年4月29日
テンポ
98
キー
E♭ Major
キャメロットミュージックキー
5B

リンクを埋め込む

共有

German Requiem, Op. 45: Herr, lehre doch mich - Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus 情報

音響性
98%
ダンサビリティ
13%
エネルギー
3%
手段性
74%
活気
13%
ラウドネス
51%
話し言葉
4%
価数
6%
人気
ラウドネス
-29.609 dB

まとめ

"German Requiem, Op. 45: Herr, lehre doch mich" by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus was released on April 29, 2014. Since German Requiem, Op. 45: Herr, lehre doch mich is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Brahms: German Requiem, Op. 45 by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, German Requiem, Op. 45: Herr, lehre doch mich is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

German Requiem, Op. 45: Herr, lehre doch mich テンポ

The tempo marking of German Requiem, Op. 45: Herr, lehre doch mich by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

German Requiem, Op. 45: Herr, lehre doch mich キー

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Wesendonck Lieder, WWV 91: Träume by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisWesendonck Lieder, WWV 91: TräumeRichard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisA♭ Major14B76 BPM
Haydn: Mass in D Minor, Hob. XXII:11 Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": KyrieJoseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle DresdenG Minor36A115 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Violin Concerto No. 1 In D, Op. 19: 1. Andantino by Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André PrevinViolin Concerto No. 1 In D, Op. 19: 1. AndantinoSergei Prokofiev, Gil Shaham, London Symphony Orchestra, André PrevinG Major19B64 BPM
Khovanshchina: Overture (Prelude) by Modest Mussorgsky, Mariinsky Orchestra, Valery GergievKhovanshchina: Overture (Prelude)Modest Mussorgsky, Mariinsky Orchestra, Valery GergievD♭ Major03B90 BPM
Ride of the Valkyries by Richard Wagner, London Symphony Orchestra, Yondani ButtRide of the ValkyriesRichard Wagner, London Symphony Orchestra, Yondani ButtB Major21B102 BPM
Götterdämmerung, WWV 86D, Act III: Vorspiel by Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van ZwedenGötterdämmerung, WWV 86D, Act III: VorspielRichard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van ZwedenF Major07B64 BPM
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande, (Suite), Op. 46: II. MélisandeJean Sibelius, Berliner Philharmoniker, Herbert von KarajanB♭ Minor03A78 BPM
Daphne, Op. 82, TrV 272: Daphne, Op. 82, TrV 272: "Ich komme, ich komme"Richard Strauss, Renée Fleming, London Symphony Orchestra, Sir Georg SoltiE♭ Major05B135 BPM
Eine Alpensinfonie: VII. Vision - Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie by Richard Strauss, Bernard Haitink, London Symphony OrchestraEine Alpensinfonie: VII. Vision - Nebel steigen auf - Die Sonne verdüstert sich allmählich - ElegieRichard Strauss, Bernard Haitink, London Symphony OrchestraD♭ Minor012A140 BPM
ISRC
GBDGQ1324803
レコードレーベル
L-M Records/RCA Records