Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan's 'Requiem: IIa. Dies irae' came out on April 26, 2024. The duration of Requiem: IIa. Dies irae is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Requiem: IIa. Dies irae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giuseppe Verdi, Herbert von Karajan, Antonio Vivaldi's "Karajan A-Z: Verdi - Vivaldi" album is number 231 out of 304. On top of that, Germany appears to be the country where this track was created. Requiem: IIa. Dies irae is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: IIa. Dies irae by Giuseppe Verdi, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan to be Grave (very slow) because the track has a tempo of 40 テンポ, a half-time of 20テンポ, and a double-time of 80 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Walter Gieseking, Herbert von Karajan, Philharmonia Orchestra | E Major | 1 | 12B | 130 BPM | ||
Salome: Wo ist er? | Wiener Philharmoniker, Wiesław Ochman, Herbert von Karajan, José van Dam, Hildegard Behrens | G Minor | 1 | 6A | 85 BPM | ||
Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Mozart: Requiem in D Minor, K. 626: VII. Confutatis | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | F Major | 0 | 7B | 118 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
La bohème, SC 67 / Act I: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 85 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan, RIAS Kammerchor | A♭ Minor | 0 | 1A | 58 BPM |