"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz" by Carl Orff, Sir Simon Rattle, Berliner Philharmoniker was released on January 5, 2005. With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 1, Uf dem Anger: Tanz by Carl Orff, Sir Simon Rattle, Berliner Philharmoniker having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: Einleitung | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 74 BPM | ||
Die Walküre / Erster Aufzug: Orchestervorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Minor | 3 | 7A | 113 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Schubert: Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 98 BPM | ||
Siegfried, WWV 86C / Act I: "Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert!" | Richard Wagner, Jess Thomas, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 76 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM |