"Die Walküre / Erster Aufzug: Orchestervorspiel" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. The duration of Die Walküre / Erster Aufzug: Orchestervorspiel is about 3 minutes long, at 3:16. Based on our data, "Die Walküre / Erster Aufzug: Orchestervorspiel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die Walküre / Erster Aufzug: Orchestervorspiel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Erster Aufzug: Orchestervorspiel by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In The South (Alassio) - Concert Overture, Op.50 | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | C Minor | 2 | 5A | 73 BPM | ||
Symphony No.7 In E Major - Ed. Haas: 1. Allegro moderato | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 87 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" - "Spür nur dich" | Richard Strauss, Helen Donath, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Götterdämmerung, WWV 86D, Prologue: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B Major | 0 | 1B | 65 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM |