Hipolito Lazaro, Maria Barrientos's 'Parigi, o cara, noi lasceremo (La Traviata)' came out on August 29, 2006. The duration of Parigi, o cara, noi lasceremo (La Traviata) is about 3 minutes long, at 3:28. Based on our data, "Parigi, o cara, noi lasceremo (La Traviata)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 9 out of 22. On top of that, Austria appears to be the country where this track was created. Parigi, o cara, noi lasceremo (La Traviata) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Parigi, o cara, noi lasceremo (La Traviata) by Hipolito Lazaro, Maria Barrientos to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM | ||
Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Major | 3 | 8B | 178 BPM | ||
Il Trovatore: Ah, si ben mio | Hipolito Lazaro | B♭ Major | 3 | 6B | 167 BPM | ||
Primer Acte: Tercet d'un Ingrat Amor | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 2 | 7B | 85 BPM | ||
Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM | ||
Giunto sul passo estremo (Mefistofele) | Hipolito Lazaro | A♭ Major | 2 | 4B | 103 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Adriana Lecouvreur / Act 1: "Del sultano Amuratte..." - Io son l'umile ancella | Francesco Cilea, Renata Tebaldi, Silvio Maionica, Franco Ricciardi, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 167 BPM |