Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur)" available on September 15, 2023. Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) by Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Massenet: Don Quichotte, Act 1: "O Dulcinée ! Ah ! Vous allez ameuter" (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Puccini: Tosca, Act 3: "O dolci mani mansuete e pure" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 1 | 8B | 69 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Delibes: Lakmé, Act 1: "Nous commettons un sacrilège" (Frederic, Gerald, Mistress Bentson, Rose, Ellen) | Léo Delibes, Michel Plasson, Bernadette Antoine, Franck Leguérinel, Gregory Kunde, Orchestre Du Capitole De Toulouse, Patricia Petibon, Xenia Konsek, Orchestre National Du Capitole De Toulouse | F Minor | 0 | 4A | 96 BPM | ||
Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Circa mea pectora | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | D Major | 4 | 10B | 91 BPM | ||
Delibes: Lakmé, Act 1: "Viens, Mallika" - Duo des fleurs. "Sous le dôme épais" (Lakmé, Mallika) | Léo Delibes, Georges Prêtre, Gianna D'Angelo, Jane Berbié, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 170 BPM |